Thornton Wilder’s final, unfinished play, The Emporium, premiered Off-Broadway at New York’s Classic Stage Company on May 18, 2026, after playwright Kirk Lynn spent years reconstructing the work from Wilder’s journals and drafts. The production, running at the Lynn F. Angelson Theater through June 7, 2026, marks the first time Wilder’s final dramatic work has been performed, drawing both critical curiosity and audience enthusiasm.
A Play 75 Years in the Making, Finally on Stage
Thornton Wilder, the Pulitzer Prize-winning author of Our Town and The Skin of Our Teeth, left behind an unfinished play, The Emporium, when he died in 1975. More than 75 years later, the play has found its way to the New York stage, completed by playwright Kirk Lynn and directed by Rob Melrose. The production, part of Classic Stage Company’s 2025–26 season, is a rare opportunity to see a major work by one of America’s most celebrated playwrights brought to completion and performance for the first time.
The story follows John, an orphan who flees to the city in search of a new life, only to become entranced by the Emporium, a mythical department store that promises everything a person could desire. Wilder’s signature blend of cosmic themes and existential inquiry is central to the piece, which blends drama with elements of the surreal. The play’s structure invites audience participation, casting spectators as orphans and other figures in the narrative, creating an immersive experience that reflects Wilder’s innovative approach to storytelling.
Classic Stage Company’s Producing Artistic Director, Jill Rafson, announced the production as part of a season focused on “filling in the missing pieces of great classic stories.” Rafson stated, “This season at CSC is about looking deeper rather than looking back. I love that all of our shows are about filling in the missing pieces of great classic stories.” The Emporium, she noted, represents a rare opportunity to see a major work by Wilder brought to completion and performance for the first time.
A Reconstruction, Not a Restoration
Lynn’s adaptation is not a straightforward restoration but a creative completion of Wilder’s fragmented drafts, which filled over 300 pages at Yale University’s Beinecke Rare Book and Manuscript Library. Lynn discovered the materials during research and, with permission from Wilder’s estate, spent years assembling the disparate scenes and notes into a completed script. In an interview with TheaterMania, Lynn described the process: “My face just emotionally melted off” when he first opened the bankers boxes containing Wilder’s journals and drafts.
The play’s structure and themes were inspired by Wilder’s earlier works, particularly his use of cosmic and existential questions. The reconstruction required deep research into Wilder’s journals, letters, and earlier works to ensure the play’s voice and intent remained true to the original vision. Critics have noted that the result is ambitious, though not without its challenges. In a review for New York Theatre Guide, the play was described as a “valiant yet strained attempt to reconstruct a work that even befuddled its own author.” The production’s Off-Broadway debut at Classic Stage Company has drawn comparisons to Wilder’s earlier, more polished plays, with some reviewers suggesting that the unfinished nature of the material occasionally shows through.
In another review, Slant Magazine called the play “metaphorically resonant,” praising its ability to engage audiences with its Kafka-esque drama and Wilder’s signature cosmic elements. The production’s limited run has already sparked discussions about the play’s potential for broader regional or international tours.
Cast and Creative Team Bring Wilder’s Vision to Life
The production features a talented ensemble cast, including Candy Buckley, Mahira Kakkar, Eva Kaminsky, Patrick Kerr, Derek Smith, Joe Tapper, and Cassia Thompson. Each actor contributes to the play’s themes of collective experience and shared discovery, with the ensemble approach mirroring Wilder’s vision for audience participation. Rob Melrose’s direction has been praised for its ability to balance the play’s surreal elements with its emotional core, creating a stage experience that feels both intimate and expansive.
In a video interview with BroadwayWorld, the cast shared their excitement about bringing Wilder’s final play to life. The production’s rehearsal process, which included extensive audience participation exercises, has been described as both challenging and rewarding, with actors noting the unique opportunity to perform a work that has never been seen before.
What Comes Next for The Emporium
The play’s limited Off-Broadway run concludes on June 7, 2026, but its reception has already sparked conversations about future productions. While some critics have questioned whether the play fully captures Wilder’s genius, others have hailed it as a fascinating glimpse into the mind of a master storyteller. The production’s success could pave the way for broader regional or international tours, or even a potential Broadway transfer, depending on audience and critical response.
Classic Stage Company has not announced any immediate plans for a national or international tour, but the positive reception of the play has opened the door for future discussions. The production’s box office performance has been strong, with the Lynn F. Angelson Theater operating at near-capacity for its run. While streaming plans have not been confirmed, the play’s unique story and innovative structure have generated significant buzz, suggesting potential for future digital accessibility.
For now, The Emporium stands as a testament to the enduring power of Wilder’s ideas and the creative courage required to bring an unfinished work to life. Whether it becomes a classic in its own right remains to be seen, but its premiere marks a significant moment in the history of American theater. As Kirk Lynn noted, the play is a reminder of the enduring legacy of Thornton Wilder and the importance of preserving and completing works that might otherwise be lost to time.