Claude Autant-Lara
Biography
Claude Autant-Lara works in directing. Born August 5, 1901 in Luzarches, Val-d'Oise, France. Died February 5, 2000. Archytele tracks 79 screen credits across canonical film and television databases.
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Frequent co-stars
Career timeline
Full Filmography
79 titles- The Bardot mystery (2012)
- My Name Is Anna Magnani (1980) as Self
- Ciné regards (1978) as Self
- Gloria (1977) Director
- Gloria (1977) Writer
- Les Rendez-vous du dimanche (1975) as Self
- Spécial cinéma (1974) as Self
- Lucien Leuwen (1973) Creator
- Lucien Leuwen (1973) Director
- Potatoes (1969) Director
- Potatoes (1969) Writer
- Franciscan of Bourges (1968) Director
- The Oldest Profession (1967) Director
- A Woman in White Revolts (1966) Producer
- A Woman in White Revolts (1966) Director
- A Woman in White (1965) Director
- Black Humor (1965) Director
- Enough Rope (1963) Director
- Josefa's Loot (1963) Director
- The Count of Monte Cristo (1961) Director
- Long Live Henry IV... Long Live Love! (1961) Director
- Thou Shalt Not Kill (1961) Director
- Lovers Woods (1960) Director
- The Regattas of San Francisco (1960) Director
- The Green Mare (1959) Director
- The Gambler (1958) Director
- Love Is My Profession (1958) Director
- Cinépanorama (1956) as Self
- La Traversée de Paris (1956) Director
- Marguerite of the Night (1955) Director
- Le Rouge et le Noir (1954) Director
- Le Rouge et le Noir (1954) Writer
- The Game of Love (1954) Director
- The Game of Love (1954) Dialogue
- The Game of Love (1954) Adaptation
- Good Lord Without Confession (1953) Director
- Good Lord Without Confession (1953) Screenplay
- The Seven Deadly Sins (1952) Director
- The Red Inn (1951) Director
- The Red Inn (1951) Screenplay
- Keep an Eye on Amelia (1949) Director
- Devil in the Flesh (1947) Director
- Devil in the Flesh (1947) Costume Design
- Devil in the Flesh (1947) Writer
- Sylvia and the Ghost (1946) Director
- Douce (1943) Director
- Douce (1943) Costume Design
- Love Letters (1942) Director
- The Marriage of Chiffon (1942) Costume Design
- The Marriage of Chiffon (1942) Director
- Fric-Frac (1939) Director
- The Mysterious Mr. Davis (1939) Producer
- The Mysterious Mr. Davis (1939) Director
- The Stream (1938) Assistant Director
- The Stream (1938) Director
- Courier of Lyons (1937) Director
- Ciboulette (1933) Director
- Plumber in Love (1932) Director
- The Incomplete Athlete (1932) Director
- Buster se marie (1931) Director
- Boul se met au vert (1929) Director
- Little Devil May Care (1928) Assistant Director
- To Build a Fire (1928) Director
- Backbiters (1927)
- Nana (1926) as Fauchery
- Nana (1926) Production Design
- The Imaginary Voyage (1926) Assistant Director
- Vittel (1926) Director
- The Crazy Ray (1925) Assistant Director
- The Inhuman Woman (1924) Art Direction
- The Inhuman Woman (1924) Costume Design
- News Item (1923) Writer
- News Item (1923) Editor
- News Item (1923) Director
- Don Juan et Faust (1922) Art Direction
- Le Carnaval des vérités (1920) Art Direction
- The Man of the Sea (1920) as Un des copains (uncredited)
- The Man of the Sea (1920) Art Direction
- The Man of the Sea (1920) Production Design
Frequently Asked Questions
What movies or TV shows is Claude Autant-Lara best known for?
Claude Autant-Lara is widely recognized for notable roles and projects including Ciné regards (1978), Les Rendez-vous du dimanche (1975), Spécial cinéma (1974), Franciscan of Bourges (1968).
When and where was Claude Autant-Lara born?
Claude Autant-Lara was born on August 5, 1901 in Luzarches, Val-d'Oise, France. They passed away on February 5, 2000.
How many credits does Claude Autant-Lara have?
Claude Autant-Lara has accumulated over 79 film and television credits across a career spanning from 1920 to 2012.
What is Claude Autant-Lara's background in cinema and television?
Claude Autant-Lara (August 5, 1901–February 5, 2000) was a French film director and later Member of the European Parliament (MEP). Born at Luzarches in Val-d'Oise, Autant-Lara was educated in France and at London's Mill Hill School during his mother's exile as a pacifist. Early in his career, he worked as an art direc...
Claude Autant-Lara by the numbers
Age in their best-rated roles
- Spécial cinéma (1974) as Self — aged about 72
- Cinépanorama (1956) as Self — aged about 54
- Les Rendez-vous du dimanche (1975) as Self — aged about 73
- Ciné regards (1978) as Self — aged about 76
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