archytele The Vault
Episode guide

S1·E5 Hotel Rwanda for Dogs

Aired December 22, 2009 66 min

Synopsis

Brian and Justin talk about the best movies of '09 and years gone by with special guests Korey Coleman and Martin Thomas of Spill.com.

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Episode recap

In the fifth episode of the first season, titled “Hotel Rwanda for Dogs,” the regular hosts Brian Brushwood and Justin Robert Young continue the series’ pattern of informal, humor‑driven conversation. The episode opens with the two hosts settling into their usual format of a talk‑show setting, where they invite two special guests, Korey Coleman and Martin Thomas, both of whom are associated with the online entertainment outlet Spill.com. The presence of the Spill.com representatives adds an additional layer of pop‑culture perspective to the discussion.

The central focus of the conversation is a retrospective look at cinema, specifically the “best movies of ’09” and notable films from earlier years. Brushwood and Young guide the dialogue, prompting Coleman and Thomas to share their opinions and memories about the cinematic landscape of 2009. The hosts and guests reference a range of titles from that year, offering personal anecdotes and critiques that reflect the episode’s characteristic irreverent tone. Throughout the segment, the participants intersperse their commentary with the show’s trademark humor, maintaining a light‑hearted atmosphere while still providing insight into why certain films stood out during that period.

In addition to the primary discussion of 2009 releases, the hosts occasionally drift into broader reflections on how those movies compare to earlier works, allowing the conversation to span multiple eras of film history. The guests from Spill.com contribute their own viewpoints, drawing on their experience covering movies and media online. Their input helps to broaden the scope of the talk, offering a blend of fan‑based enthusiasm and critical observation.

The episode adheres to the series’ established format of featuring unusual guests and engaging in off‑beat banter, while the specific subject matter—an appraisal of the year’s standout movies—provides a clear thematic anchor. By the conclusion, Brushwood, Young, Coleman, and Thomas have collectively highlighted a selection of films that defined 2009, contextualized within the broader cinematic trends that preceded them, all delivered in the NSFW Show’s signature comedic style.

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