Le village de Namo - Panorama pris d'une chaise à porteurs 1900
What is Le village de Namo - Panorama pris d'une chaise à porteurs?
"Le village de Namo - Panorama pris d'une chaise à porteurs" is a film that utilizes a specific cinematographic technique. The film is a type of panorama, which is a moving-camera shot.
- Type
- Film
- Year
- 1900
- Status
- Released
- Runtime
- 1 minutes
- Release date
- Jan 25, 1900
- Original language
- FR
- Origin
- France
- Studios
- Lumière
- Genres
- Documentary
- Updated
Trailer
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Find the trailer on YouTube ↗Overview
"Le village de Namo - Panorama pris d'une chaise à porteurs" is a film that utilizes a specific cinematographic technique. The film is a type of panorama, which is a moving-camera shot. According to the description of this technique, it is usually accomplished by placing the camera on a moving transport. The film is a panorama shot-scene that lasts just under a minute. This type of film was coined by Lumière, who referred to it as a panorama. The camera is placed on a moving transport in this film, specifically a chaise à porteurs, which is a type of transport. This allows for a unique perspective on the subject matter, capturing a scene in motion. The film's duration and the technique used to capture it are notable aspects of this cinematic work.
Should you watch it?
“A fleeting minute of early moving-camera panorama captures a village scene from 1900.”
- Early example of moving-camera technique
- Under one minute of visual history
- Extremely brief with no narrative
- Limited context for modern viewers
Watch it if you appreciate early cinematic experiments and brief documentary glimpses.
The film is silent and brief, making it suitable for all ages.
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Frequently asked questions
How long is the film?
It lasts just under one minute.
What type of film is it?
It is a documentary panorama shot-scene.
When was it released?
It was released in 1900.
Who coined the term "panorama film"?
The term was coined by the Lumière brothers.
How was the camera moved during filming?
The camera was mounted on a moving transport such as a boat or train.