Vilmos Zsigmond
Biography
Subject: Vilmos Zsigmond (Camera).
Goal: Write a 90-130 word factual identity profile.
Constraints:
Use ONLY verifiable facts from the provided SYNOPSIS and SOURCES.
No invented details (titles, names, dates, etc.).
No markdown, no asterisks, no headings, no bullet points.
Plain text, neutral, encyclopedic prose.
Word count: 90-130 words.
No preamble, no JSON, no surrounding quotes.
Name: Vilmos Zsigmond (also known as William Zsigmond or Will).
Dates: Born June 16, 1930; Died January 1, 2016 (85 years old).
Nationality: Hungarian-American.
Place of Birth: Szeged, Hungary.
Profession: Cinematographer.
Impact: Helped shape the look of American movies in the 1970s; leading figure in the American New Wave movement.
Collaborators: Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino, and Woody Allen.
Known For: Camera.
Known Credits: 115.
Vilmos Zsigmond, also known as William Zsigmond or Will, was a Hungarian-American cinematographer. Born on June 16, 1930, in Szeged, Hungary, he passed away on January 1, 2016, at the age of 85. His work in cinematography helped shape the look of American movies during the 1970s, establishing him as a leading figure in the American New Wave movement. Zsigmond is known for his camera work and has 115 known credits. Throughout his career, he worked frequently with several leading American directors, including Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino, and Woody Allen.
"Vilmos Zsigmond, also known as William Zsigmond or Will, was a Hungarian-American cinematographer. Born on June 16, 1930, in Szeged, Hungary, he passed away on January
Career overview
Role: Meticulous television and film archivist.
Task: Write a career overview of Vilmos Zsigmond.
Constraints:
Use only verifiable facts from the provided SYNOPSIS and SOURCES.
Do not invent/guess titles, names, dates, counts, awards, ratings, etc.
If a detail is not in the material, omit it.
Style: Original, neutral, encyclopedic prose in plain text.
Formatting: No markdown, no asterisks, no headings, no bullet points.
Length: 180-260 words.
Structure: 2-3 short paragraphs.
Content: Career overview of Vilmos Zsigmond (Camera).
Name: Vilmos Zsigmond (also known as William Zsigmond or Will).
Dates: June 16, 1930 – January 1, 2016 (85 years old).
Nationality: Hungarian-American.
Birthplace: Szeged, Hungary.
Profession: Cinematographer.
Impact: Helped shape the look of American movies in the 1970s; leading figure in the American New Wave movement.
Collaborators: Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino, and Woody Allen.
Known for: Camera.
Known credits: 115.
Paragraph 1: Identity and Background.
Vilmos Zsigmond was a Hungarian-American cinematographer born on June 16, 1930, in Szeged, Hungary. Also known as William Zsigmond or Will, he passed away on January 1, 2016, at the age of 85. His professional work focused on camera duties, and he is credited with 115 known credits.
Paragraph 2: Career and Impact.
Zsigmond's work in cinematography played a role in shaping the visual style of American movies during the 1970s. Through this work, he became one of the leading figures in the American New Wave movement. Throughout his career, he worked frequently with several prominent American directors, including Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino, and Woody Allen.
Current Word Count Check:
Para 1: ~45 words.
Para 2: ~55 words.
Total: ~100 words.
Problem: The prompt requires 180-260 words.
Constraint Check: I can only use provided facts. I cannot add fluff or invent details to reach the word count.
Re-evaluating the source material:
The source material is very sparse.
Name: Vilmos Zsigmond (William Zsigmond, Will)
Dates: June 16, 1930 - Jan 1, 2016 (85)
Origin: Szeged, Hungary (Hungarian-American)
Role: Cinematographer (Camera)
Credits: 115
Impact: Shaped 1970s American movies, leader in American New Wave.
Directors: Altman, Spielberg, De Palma, Cimino, Allen.
Challenge: How to reach 180 words without inventing facts?
I must expand the prose using the existing facts without adding new information. I can use more descriptive (but neutral) phrasing of the existing facts.
Drafting attempt 2 (Expanding prose):
Vilmos Zsigmond was a Hungarian-American cinematographer who was born in Szeged, Hungary, on June 16, 1930. He was also known by the names William Zsigmond and Will. Zsigmond's career in the film industry included 115 known credits, primarily in
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Frequent co-stars
Career timeline
Full Filmography
120 titles- Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson (2019)
- Spielberg (2017) as Self
- Close Encounters with Vilmos Zsigmond (2016) as Self
- Six Dance Lessons in Six Weeks (2014) Director of Photography
- God the Father (2014) Director of Photography
- Compulsion (2013) Director of Photography
- Side by Side (2012) as Self
- Black and White in Color: Vilmos Zsigmond on 'Blow Out' (2012) as Self
- Woody Allen: A Documentary (2011) as Self
- The Maiden Danced to Death (2011) Director of Photography
- You Will Meet a Tall Dark Stranger (2010) Director of Photography
- A Cinematic Life: The Art and Influence of Conrad Hall (2010) as Self
- Louis (2010) as Hungarian Photographer
- Louis (2010) Director of Photography
- No Subtitles Necessary: Laszlo & Vilmos (2009) as Self
- Cassandra's Dream (2007) Director of Photography
- Torn from the Flag (2007) Executive Producer
- Torn from the Flag (2007) Director of Photography
- The Black Dahlia (2006) Director of Photography
- Who Needs Sleep? (2006) as Self
- Surrender, Dorothy (2006) Director of Photography
- Jersey Girl (2004) Director of Photography
- Melinda and Melinda (2004) Director of Photography
- Z Channel: A Magnificent Obsession (2004) as Self
- Final Cut: The Making and Unmaking of Heaven's Gate (2004) as Self
- Timeline (2003) Second Unit Director of Photography
- Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood (2003) as Self
- Ban Bánk (2003) Director of Photography
- Who Killed 'Winter Kills'? (2003) as Self
- Return of the "Hired Hand" (2003) as Himself
- Imagining Images (2003) as Self
- Character Building: Inside 'Life As a House' (2002) as Self
- Vilmos Zsigmond Flashes 'The Long Goodbye' (2002) as Self
- The Mists of Avalon (2001) Director of Photography
- Life as a House (2001) Director of Photography
- The Body (2001) Director of Photography
- The Making of 'Close Encounters of the Third Kind' (2001) as Self
- 'Obsession' Revisited (2001) as Self
- Altman on His Own Terms (2000) as Self
- Light Keeps Me Company (2000) as Self
- Light Keeps Me Company (2000) Director of Photography
- The Argument (1999) Director of Photography
- Playing by Heart (1998) Director of Photography
- Big Guns Talk: The Story of the Western (1997) as Self
- The Ghost and the Darkness (1996) Director of Photography
- Assassins (1995) Director of Photography
- The Crossing Guard (1995) Director of Photography
- Maverick (1994) as Albert Bierstadt
- Maverick (1994) Director of Photography
- Intersection (1994) Director of Photography
- Sliver (1993) Director of Photography
- Stalin (1992) Director of Photography
- Visions of Light (1992) as Self
- The Long Shadow (1992) Director
- The Bonfire of the Vanities (1990) Director of Photography
- The Two Jakes (1990) Director of Photography
- Fat Man and Little Boy (1989) Director of Photography
- Journey to Spirit Island (1988) Director of Photography
- The Witches of Eastwick (1987) Director of Photography
- Real Genius (1985) Director of Photography
- The River (1984) Director of Photography
- No Small Affair (1984) Director of Photography
- Table for Five (1983) Director of Photography
- The Border (1982) Additional Photography
- Jinxed! (1982) Director of Photography
- Blow Out (1981) Director of Photography
- Heaven's Gate (1980) Director of Photography
- Flesh & Blood (1979) Director of Photography
- Flesh & Blood (1979) Director of Photography
- Winter Kills (1979) Director of Photography
- The Rose (1979) Director of Photography
- The Deer Hunter (1978) Director of Photography
- The Last Waltz (1978) Additional Director of Photography
- Close Encounters of the Third Kind (1977) Director of Photography
- Obsession (1976) Director of Photography
- Sweet Revenge (1976) Director of Photography
- Death Riders (1976) Director of Photography
- Funny Lady (1975) Additional Photography
- Mahogany (1975) Additional Photography
- Iron and Horse (1975) Director of Photography
- The Sugarland Express (1974) Director of Photography
- The Girl from Petrovka (1974) Director of Photography
- The Long Goodbye (1973) Director of Photography
- Scarecrow (1973) Director of Photography
- Cinderella Liberty (1973) Director of Photography
- Deliverance (1972) Director of Photography
- Images (1972) Director of Photography
- McCabe & Mrs. Miller (1971) Director of Photography
- The Hired Hand (1971) Director of Photography
- Red Sky at Morning (1971) Director of Photography
- The Ski Bum (1971) Director of Photography
- Threshold (1971) Director of Photography
- Horror of the Blood Monsters (1970) Director of Photography
- A Long Way from Nowhere (1970) Cinematography
- The Monitors (1969) Director of Photography
- Five Bloody Graves (1969) Director of Photography
- The Picasso Summer (1969) Director of Photography
- Futz (1969) Director of Photography
- The Name of the Game Is Kill (1968) Director of Photography
- Prelude (1968) Director of Photography
- Blood of Ghastly Horror (1967) Director of Photography
- Jennie: Wife/Child (1967) Director of Photography
- The Fiend with the Electronic Brain (1967) Cinematography
- 1999 A.D. (1967) Director of Photography
- Mondo Mod (1967) Director of Photography
- Road to Nashville (1966) Director of Photography
- Summer Children (1965) Director of Photography
- Rat Fink (1965) Cinematography
- Rat Fink (1965) Director of Photography
- Psycho a Go Go (1965) Director of Photography
- Tales of a Salesman (1965) Director of Photography
- Deadwood '76 (1965) Director of Photography
- The Time Travelers (1964) Director of Photography
- The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1964) Camera Operator
- The Nasty Rabbit (1964) Director of Photography
- What's Up Front! (1964) Director of Photography
- The Sadist (1963) Director of Photography
- I Hear the Carpenter Singing (1963) Cinematography
- Living Between Two Worlds (1963) Director of Photography
- The Oscars (1953) as Self
Frequently Asked Questions
What movies or TV shows is Vilmos Zsigmond best known for?
Vilmos Zsigmond is widely recognized for notable roles and projects including You Will Meet a Tall Dark Stranger (2010), Cassandra's Dream (2007), The Black Dahlia (2006), Jersey Girl (2004).
When and where was Vilmos Zsigmond born?
Vilmos Zsigmond was born on June 16, 1930 in Szeged, Hungary. They passed away on January 1, 2016.
How many credits does Vilmos Zsigmond have?
Vilmos Zsigmond has accumulated over 120 film and television credits across a career spanning from 1953 to 2019.
What is Vilmos Zsigmond's background in cinema and television?
Subject: Vilmos Zsigmond (Camera). Goal: Write a 90-130 word factual identity profile. Constraints: Use ONLY verifiable facts from the provided SYNOPSIS and SOURCES. No invented details (titles, names, dates, etc.). No markdown, no asterisks, no headings, no bullet points. Plain text, neutral, encyclopedic prose. Word ...
Vilmos Zsigmond by the numbers
Age in their best-rated roles
- Z Channel: A Magnificent Obsession (2004) as Self — aged about 74
- The Oscars (1953) as Self — aged about 23
- Maverick (1994) as Albert Bierstadt — aged about 64
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