Alexander Kluge: movies and TV shows
Alexander Kluge has 350 credits in the archive: 341 films and 9 TV series, from 1961 to 2026. Highest rated: Policeman's Lot (8.7/10).
Career timeline
1961 – 2026 · busiest year: 2007 (21 credits)
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Full filmography
| Year | Title | Role | Type | Rating | Age then |
|---|---|---|---|---|---|
| 2026 | Die Liebe stört der kalte Tod | Film | — | 94 | |
| 2026 | Die Liebe stört der kalte Tod | Film | — | 94 | |
| 2026 | Die Liebe stört der kalte Tod | Film | — | 94 | |
| 2026 | Auf Messers Schneide: das Jahr 1929 | Film | — | 94 | |
| 2026 | Auf Messers Schneide: das Jahr 1929 | Film | — | 94 | |
| 2026 | Auf Messers Schneide: das Jahr 1929 | Film | — | 94 | |
| 2026 | Utopie der Oper | Film | — | 94 | |
| 2026 | Heterotopie der Oper | Film | — | 94 | |
| 2025 | The Klimperclown | Self | Film | 6.0 | 93 |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2025 | Primitive Diversity | Film | — | 93 | |
| 2024 | Max Horkheimer – Philosopher and Sociologist | Film | — | 92 | |
| 2024 | An Opera That Sparked a Revolution | Film | — | 92 | |
| 2024 | Happy Root From Non-Identity | Film | — | 92 | |
| 2024 | Planetary Man | Film | — | 92 | |
| 2024 | Cosmic Miniatures | Film | 3.0 | 92 | |
| 2024 | Beginnings of Film Art | Film | — | 92 | |
| 2024 | Eomaia (Mother of the Dawn) | Film | — | 92 | |
| 2024 | Attack on a Thick Glass Door | Film | — | 92 | |
| 2024 | String Cinema – Mathematical Minute Opera | Film | — | 92 | |
| 2023 | Lied der Medea | Film | — | 91 | |
| 2023 | Lied der Medea | Film | — | 91 | |
| 2023 | Lied der Medea | Film | — | 91 | |
| 2022 | Come with Me to the Cinema – The Gregors | Self | Film | — | 90 |
| 2022 | Sergej Eisenstein Stages Alexander Newski (1938) and Wagner‘s Walküre (1940) | Film | — | 90 | |
| 2022 | In the Rock of Signs | Film | — | 90 | |
| 2021 | Orphea | Film | 4.0 | 89 | |
| 2021 | Orphea | Film | 4.0 | 89 | |
| 2021 | Orphea | Film | 4.0 | 89 | |
| 2021 | Zirkus, Richter’s Tango | Film | — | 89 | |
| 2021 | Hommage zu Manoel de Oliveiras Film-Oper Os Canibais | Film | — | 89 | |
| 2020 | Wim Wenders, Desperado | Self (archive footage) | Film | 7.7 | 88 |
| 2020 | The Leaks of Venice | Film | — | 88 | |
| 2020 | The Mammoth’s Homecoming, a Composition of Th. W. Adorno in the Year 1941 | Film | — | 88 | |
| 2020 | Die Festwagen der Großen Französischen Revolution | Film | — | 88 | |
| 2020 | Die Festwagen der Großen Französischen Revolution | Film | — | 88 | |
| 2020 | Die Festwagen der Großen Französischen Revolution | Film | — | 88 | |
| 2020 | Trump State Visit | Film | — | 88 | |
| 2020 | Trump State Visit | Film | — | 88 | |
| 2020 | Trump State Visit | Film | — | 88 | |
| 2020 | Werewolves Playoffs | Film | — | 88 | |
| 2019 | Veränderung ist das Salz des Vergnügens | Film | — | 87 | |
| 2019 | Bodenhaftung, Hautnähe, Lot zum Erdmittelpunkt | Film | — | 87 | |
| 2019 | Bodenhaftung, Hautnähe, Lot zum Erdmittelpunkt | Film | — | 87 | |
| 2019 | Bodenhaftung, Hautnähe, Lot zum Erdmittelpunkt | Film | — | 87 | |
| 2018 | Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias | Self | Film | 5.5 | 86 |
| 2018 | Happy Lamento | Film | — | 86 | |
| 2018 | Happy Lamento | Film | — | 86 | |
| 2018 | We Philosophers from Eve’s Rib | Film | — | 86 | |
| 2018 | The Revolution is a Creature Full of Surprises | Film | — | 86 | |
| 2018 | Zirkus im Krieg | Film | — | 86 | |
| 2018 | Zirkus im Krieg | Film | — | 86 | |
| 2018 | Zirkus im Krieg | Film | — | 86 | |
| 2018 | Der Zirkus kommt in die Stadt | Film | — | 86 | |
| 2018 | Der Zirkus kommt in die Stadt | Film | — | 86 | |
| 2018 | Der Zirkus kommt in die Stadt | Film | — | 86 | |
| 2017 | Werner Nekes - Life Between the Pictures | Self | Film | 5.5 | 85 |
| 2017 | Mimosa Tank: A Prologue for a Film | Self | Film | — | 85 |
| 2017 | Mimosa Tank: A Prologue for a Film | Film | — | 85 | |
| 2017 | An Opera of the World | Himself | Film | — | 85 |
| 2017 | Dancing with Pictures | Himself | Film | — | 85 |
| 2017 | Dancing with Pictures | Film | — | 85 | |
| 2017 | Reason is a Balancing Animal | Film | — | 85 | |
| 2017 | Der Gärtner von Nürnberg | Film | — | 85 | |
| 2017 | Der Gärtner von Nürnberg | Film | — | 85 | |
| 2017 | Der Gärtner von Nürnberg | Film | — | 85 | |
| 2017 | Mehrfachbilder Vielfalt Fuenfalt ohne blaues Ende | Film | — | 85 | |
| 2017 | Parsifal verlernen | Film | — | 85 | |
| 2016 | On the Holy Spirit | Film | — | 84 | |
| 2015 | "They killed our friends..." | Film | — | 83 | |
| 2015 | Sag mir wo die Blumen sind, wo sind sie geblieben? | Film | — | 83 | |
| 2015 | Sag mir wo die Blumen sind, wo sind sie geblieben? | Film | — | 83 | |
| 2015 | Sag mir wo die Blumen sind, wo sind sie geblieben? | Film | — | 83 | |
| 2015 | Fassbinder's Funeral | Film | — | 83 | |
| 2014 | Nachrichten vom Großen Krieg | Film | — | 82 | |
| 2014 | Moby Dick – Godzilla – Fukushima | Film | 10.0 | 82 | |
| 2014 | Light Veins | Film | — | 82 | |
| 2013 | Theorie der Erzählung | Himself | Film | — | 81 |
| 2013 | Theorie der Erzählung | Film | — | 81 | |
| 2012 | Precht | Self | TV | 7.8 | 80 |
| 2012 | Mensch 2.0 – Die Evolution in unserer Hand | Film | 6.0 | 80 | |
| 2012 | Mensch 2.0 – Die Evolution in unserer Hand | Film | 6.0 | 80 | |
| 2012 | Pretty Woman and other stories, a film with Alexander Kluge | Film | — | 80 | |
| 2012 | Rigor Was His Mark of Quality | Film | — | 80 | |
| 2011 | Als die Himmel noch miteinander sprachen | Film | — | 79 | |
| 2011 | Nuits transparentes | Film | — | 79 | |
| 2010 | Anyone who dares will take the cold off their horse | Self | Film | — | 78 |
| 2010 | Anyone who dares will take the cold off their horse | Film | — | 78 | |
| 2009 | Der Deutschland-Komplex | Film | — | 77 | |
| 2009 | Früchte des Vertrauens | Film | — | 77 | |
| 2008 | Counter Shot: Departure of the Filmmakers | Self (uncredited) | Film | 6.7 | 76 |
| 2008 | News from Ideological Antiquity - Marx/Eisenstein/The Capital | Film | 6.8 | 76 | |
| 2008 | Who Am "I"? Peer Gynt | Film | — | 76 | |
| 2008 | Man is the Soft Target | Film | — | 76 | |
| 2008 | Headless Man | Film | — | 76 | |
| 2008 | Sense below the Sense | Film | — | 76 | |
| 2008 | The Time That Must Pass Before the Audience Takes an Initiative | Film | — | 76 | |
| 2008 | Raubengel | Film | — | 76 | |
| 2008 | Weltmacht Staub. Hartmut Bitomsky über einen unbesiegbaren Zustand der Materie | Film | — | 76 | |
| 2008 | Das Prinzip Stadt. Oskar Negt über die "Stadt in uns" | Film | — | 76 | |
| 2008 | Evolution in the Universe | Film | — | 76 | |
| 2008 | Fifi | Film | — | 76 | |
| 2008 | The Siamese Hands | Film | — | 76 | |
| 2007 | The Bridge Crosser | Film | — | 75 | |
| 2007 | The Gentle Makeup of Light New 65 mm minute shorts | Film | — | 75 | |
| 2007 | The Safety of the President | Film | — | 75 | |
| 2007 | The Opera Doctor | Film | — | 75 | |
| 2007 | Multiple Images for Five Projectors | Self | Film | — | 75 |
| 2007 | Multiple Images for Five Projectors | Film | — | 75 | |
| 2007 | "50 Knuckles of Pork is About Right" | Film | — | 75 | |
| 2007 | The Magical World of Evolution | Film | — | 75 | |
| 2007 | The Deterrent | Film | — | 75 | |
| 2007 | War is the End of all Plans | Film | — | 75 | |
| 2007 | The Poetic Power of Theory | Film | — | 75 | |
| 2007 | Das Phänomen der Oper | Film | — | 75 | |
| 2007 | What Does "Good Will" Mean? | Film | — | 75 | |
| 2007 | The Car is your Second Skin | Film | — | 75 | |
| 2007 | Love Makes You Perceptive! | Film | — | 75 | |
| 2007 | Megastars of the Art of Love | Film | — | 75 | |
| 2007 | Im Sturm der Zeit - Facts & Fakes | Film | — | 75 | |
| 2007 | Mein Jahrhundert, mein Tier! | Film | — | 75 | |
| 2007 | The Magic of the Darkened Soul | Film | — | 75 | |
| 2007 | I Lived for my Art | Film | — | 75 | |
| 2007 | "The Burning Giraffe" | Film | — | 75 | |
| 2006 | From 9 a.m. to Early the Next Morning Columbus Sailed Straight Ahead Westwards | Film | — | 74 | |
| 2006 | On Laughing and Walking Upright | Film | — | 74 | |
| 2006 | Nach jedem Untergang kommt ein Dampfer | Film | — | 74 | |
| 2006 | Primal Ocean and Snowball Earth | Film | — | 74 | |
| 2006 | La Habanera | Film | — | 74 | |
| 2006 | Sam Remembers Papa Kong | Film | — | 74 | |
| 2006 | Das gab’s nur einmal | Film | — | 74 | |
| 2006 | Borderline Cases of Damage Control | Film | — | 74 | |
| 2006 | Serpentine Gallery Program | Film | — | 74 | |
| 2006 | Storm Over Egypt | Film | — | 74 | |
| 2006 | 16 Minute-films | Film | — | 74 | |
| 2006 | The Greatest Treasure of Evolution | Film | — | 74 | |
| 2006 | La Paloma | Film | — | 74 | |
| 2006 | Flexible Memory | Film | — | 74 | |
| 2006 | The Trickiness of Peace Treaties | Film | — | 74 | |
| 2006 | Die Frau auf dem Schlachtfeld | Film | 6.0 | 74 | |
| 2006 | Die Frau auf dem Schlachtfeld | Film | 6.0 | 74 | |
| 2006 | Sad News | Film | — | 74 | |
| 2006 | The Deadly Triangle | Film | — | 74 | |
| 2005 | The Officer as a Philosopher | Film | — | 73 | |
| 2005 | As a Military Judge in November 1918 | Film | — | 73 | |
| 2005 | The Moon Has Risen | Film | — | 73 | |
| 2005 | Thinking for Oneself | Film | — | 73 | |
| 2005 | The Black Market of Love | Film | — | 73 | |
| 2005 | Women as Warriors | Film | — | 73 | |
| 2005 | "Surplus Value" & its Images | Film | — | 73 | |
| 2004 | A Tear for Every Drop of Blood | Film | — | 72 | |
| 2004 | A Tear for Every Drop of Blood | Film | — | 72 | |
| 2004 | Freedom for the Consonants! | Film | — | 72 | |
| 2003 | druckfrisch | self | TV | 6.0 | 71 |
| 2003 | Der Untergang der Titanic | Film | — | 71 | |
| 2003 | First the Music, then the Words | Film | — | 71 | |
| 2003 | Rette sich, wer kann | Film | — | 71 | |
| 2003 | Only Cans Were Saved | Film | — | 71 | |
| 2003 | A Woman Like a Volcano | Film | — | 71 | |
| 2002 | Alle Gefühle glauben an einen glücklichen Ausgang | Self | Film | — | 70 |
| 2002 | N.Y. Ground Zero | Film | — | 70 | |
| 2002 | A Farewell to the Secure Side of Life | Film | — | 70 | |
| 2002 | Nur Gott hat zugesehen | Film | — | 70 | |
| 2002 | What is War? | Film | — | 70 | |
| 2002 | Darklings Sing Bass | Film | — | 70 | |
| 2001 | Blinde Liebe/Jean-Luc Godard: Meine Mutter hat nur Stummfilme gesehen! | Self - Narrator (voice) | Film | — | 69 |
| 2001 | Blinde Liebe/Jean-Luc Godard: Meine Mutter hat nur Stummfilme gesehen! | Film | — | 69 | |
| 2001 | Blinde Liebe/Jean-Luc Godard: Meine Mutter hat nur Stummfilme gesehen! | Film | — | 69 | |
| 2001 | Blinde Liebe/Jean-Luc Godard: Meine Mutter hat nur Stummfilme gesehen! | Film | — | 69 | |
| 2001 | The Kiss of Death | Film | — | 69 | |
| 2001 | "Love Pain Like Mute Fish" | Film | — | 69 | |
| 2001 | Attention: Total Loss! | Film | — | 69 | |
| 2001 | The Holding of Skulls is not My Thing! | Film | — | 69 | |
| 2001 | The Flexible Entrepreneur | Film | — | 69 | |
| 2001 | Dance on the Volcano | Film | — | 69 | |
| 2001 | True Love on the Front | Film | — | 69 | |
| 2000 | Literatur im Foyer | himself | TV | — | 68 |
| 2000 | Ich war Hitlers Bodyguard | Film | — | 68 | |
| 2000 | Ich war Hitlers Bodyguard | Film | — | 68 | |
| 2000 | The Sahara Became Swampland | Film | — | 68 | |
| 2000 | August 1914 | Film | — | 68 | |
| 2000 | The Execution of an Elephant | Film | 5.3 | 68 | |
| 1999 | Spaceflight as an Internal Experience | Film | 5.2 | 67 | |
| 1999 | Postheroic Management | Film | — | 67 | |
| 1999 | Snapshots for my Fiancé | Film | — | 67 | |
| 1999 | "With all the Wealth of my Needs" | Film | — | 67 | |
| 1999 | Nietzsches fröhliche Wissenschaft | Film | — | 67 | |
| 1999 | My Love is Deeper than the Sea | Film | — | 67 | |
| 1999 | He Who Hopes, Dies Singing | Film | — | 67 | |
| 1999 | The Deluge | Film | — | 67 | |
| 1999 | The Belshazzar Project | Film | — | 67 | |
| 1998 | Alpha Forum | Self | TV | — | 66 |
| 1998 | Lebensläufe | Self | TV | — | 66 |
| 1998 | Sternstunde Philosophie | Self | TV | — | 66 |
| 1998 | Learning Processes with a Deadly Outcome | Film | — | 66 | |
| 1998 | Five Hours Parsifal in 90 Seconds | Film | — | 66 | |
| 1998 | Five Hours Parsifal in 90 Seconds | Film | — | 66 | |
| 1998 | Desire that Rules the World | Film | — | 66 | |
| 1998 | I Come Every Morning for Sex | Film | — | 66 | |
| 1998 | Ort und zeit ohne grund ist gewalt | Film | — | 66 | |
| 1998 | "Of which we cannot speak we must sing!" | Film | — | 66 | |
| 1998 | An Experiment in Love | Film | — | 66 | |
| 1998 | Happy Easter | Film | — | 66 | |
| 1998 | The Mute Girl of Portici | Film | — | 66 | |
| 1998 | 100 Years of the German Rhine | Film | — | 66 | |
| 1998 | For Vertov | Film | 6.5 | 66 | |
| 1998 | Der schwedische Mozart | Film | — | 66 | |
| 1998 | Neonröhren des Himmels | Film | — | 66 | |
| 1997 | The Day Is Nigh | Film | 4.5 | 65 | |
| 1997 | High on Work | Film | — | 65 | |
| 1997 | The Poet as Metaphor Slingshot | Film | — | 65 | |
| 1996 | Engine Cough | Film | — | 64 | |
| 1996 | "The Wind Will Clean It Off" | Film | — | 64 | |
| 1996 | Epic Theater & Post-heroic Management | Film | — | 64 | |
| 1996 | He Who Smokes Looks Cold-Blooded | Film | — | 64 | |
| 1996 | Heiner Müller in Time Flight | Film | — | 64 | |
| 1996 | Bleib steh'n, Wanderer, und lies | Film | — | 64 | |
| 1996 | Chicago in Time Lapse | Film | — | 64 | |
| 1995 | Kulturzeit | self | TV | 4.7 | 63 |
| 1995 | The Night of the Filmmakers | Self | Film | 6.3 | 63 |
| 1995 | The Voice of the Playwright | Film | — | 63 | |
| 1995 | Love as Passion | Film | — | 63 | |
| 1995 | Zoo Animals in War | Film | — | 63 | |
| 1995 | Queen of Hearts on Judgment Day | Film | — | 63 | |
| 1995 | Camp Money | Film | — | 63 | |
| 1995 | My Rendezvous with Death | Film | — | 63 | |
| 1995 | On the Way to a Theater of Darknesses | Film | — | 63 | |
| 1995 | Ballad Journal No. 9: “Cold Death Interrupts Love” | Film | — | 63 | |
| 1995 | Ballad Journal No. 9: “Cold Death Interrupts Love” | Film | — | 63 | |
| 1995 | Omnivore Democracy | Film | — | 63 | |
| 1994 | Under the Sign of Mars | Film | — | 62 | |
| 1994 | Die Rache der betrogenen Braut | Film | — | 62 | |
| 1994 | Woher stammt das Lied "Die Fahne hoch"? | Film | — | 62 | |
| 1994 | Solange die Notenblätter reichen | Film | — | 62 | |
| 1994 | "80,000 Operas!" | Film | — | 62 | |
| 1994 | The World is Not Bad, but Full | Film | — | 62 | |
| 1994 | I Owe the World a Dead Person | Film | — | 62 | |
| 1994 | Die neun Unzertrennlichen | Film | — | 62 | |
| 1993 | The Last of the Mohicans | Film | — | 61 | |
| 1993 | Rule a Great Country as You Would Fry Small Fish | Film | — | 61 | |
| 1993 | The Death of Seneca | Film | — | 61 | |
| 1993 | Plowshare of Evil | Film | — | 61 | |
| 1993 | Anti-Opera | Film | — | 61 | |
| 1993 | Mind, Power, Castration | Film | — | 61 | |
| 1992 | Frederick of Prussia | Film | — | 60 | |
| 1992 | "The Screeching Sound of Power as Soon as it Puts on the Brakes" | Film | — | 60 | |
| 1992 | "I Confess!" Day-Trip Shopping Excursion | Film | — | 60 | |
| 1992 | Soprano versus Bass | Film | — | 60 | |
| 1991 | SnowwhiteRosered | Self | Film | 6.0 | 59 |
| 1991 | Rome, as Far Away as the Moon | Film | — | 59 | |
| 1991 | Soviet Patriots of 1941 | Film | — | 59 | |
| 1991 | Every Frozen Structure has its Academy | Film | — | 59 | |
| 1991 | “Wastage” of humans / Comrade Mauser / “Victim of History” | Film | — | 59 | |
| 1990 | Heiner Müller on Legal Questions | Film | — | 58 | |
| 1990 | Richard Wagner and the Law of Ruin Value in Music | Film | — | 58 | |
| 1990 | Darwin and the Tank | Film | — | 58 | |
| 1990 | Wild Night with Moon | Film | — | 58 | |
| 1990 | Das Beste an der ARD sind ihre Anfänge | Film | — | 58 | |
| 1990 | Das Beste an der ARD sind ihre Anfänge | Film | — | 58 | |
| 1990 | Some Kind of Shadow Machines Were Passing by | Film | — | 58 | |
| 1989 | The Heart and the Legs | Self | Film | — | 57 |
| 1989 | Adorno - Es gibt kein richtiges Leben im falschen | Self | Film | — | 57 |
| 1989 | Paper Tiger Television, New York | Film | 6.0 | 57 | |
| 1989 | Conversation with Heiner Müller in Garath | Film | — | 57 | |
| 1989 | Portrait of Heiner Müller for his 60th Birthday | Film | — | 57 | |
| 1988 | Japanclips | Film | — | 56 | |
| 1988 | The African Lady, or Love with a Fatal Outcome | Film | — | 56 | |
| 1988 | Why Are You Crying, Antonio? | Film | — | 56 | |
| 1988 | 10 vor 11 | TV | — | 56 | |
| 1988 | Die Guillotine oder die Kategorie der Plötzlichkeit | Film | — | 56 | |
| 1988 | The Death of Lucretia | Film | — | 56 | |
| 1988 | The Eiffel Tower, King Kong and the White Woman | Film | — | 56 | |
| 1988 | The Pilot's Song | Film | — | 56 | |
| 1988 | Blue Hour Tango Time | Film | — | 56 | |
| 1988 | Antiques of Advertising | Film | — | 56 | |
| 1988 | Changing Time (Quickly) | Film | — | 56 | |
| 1988 | Madame Butterfly Waits | Film | — | 56 | |
| 1986 | Miscellaneous News | Film | 3.8 | 54 | |
| 1986 | Miscellaneous News | Film | 3.8 | 54 | |
| 1985 | The Assault of the Present on the Rest of Time | Film | 6.4 | 53 | |
| 1985 | The Assault of the Present on the Rest of Time | Film | 6.4 | 53 | |
| 1983 | The Power of Emotion | Film | 4.8 | 51 | |
| 1983 | The Power of Emotion | Film | 4.8 | 51 | |
| 1983 | Looking for a Practical and Realistic Behaviour | Film | 6.3 | 51 | |
| 1983 | Looking for a Practical and Realistic Behaviour | Film | 6.3 | 51 | |
| 1983 | Biermann-Film | Film | 9.0 | 51 | |
| 1982 | War and Peace | Film | 4.5 | 50 | |
| 1982 | War and Peace | Film | 4.5 | 50 | |
| 1980 | The Candidate | Film | 6.0 | 48 | |
| 1980 | The Candidate | Film | 6.0 | 48 | |
| 1979 | The Patriotic Woman | Film | 7.1 | 47 | |
| 1979 | The Patriotic Woman | Film | 7.1 | 47 | |
| 1978 | Germany in Autumn | Film | 6.4 | 46 | |
| 1978 | Germany in Autumn | Film | 6.4 | 46 | |
| 1977 | People Preparing the Staufer Anniversary | Film | 6.3 | 45 | |
| 1977 | People Preparing the Staufer Anniversary | Film | 6.3 | 45 | |
| 1977 | Nachrichten von den Staufern | Film | 10.0 | 45 | |
| 1977 | Nachrichten von den Staufern | Film | 10.0 | 45 | |
| 1976 | Strongman Ferdinand | Film | 6.0 | 44 | |
| 1976 | Strongman Ferdinand | Film | 6.0 | 44 | |
| 1974 | In Danger and Dire Distress the Middle of the Road Leads to Death | Film | 5.0 | 42 | |
| 1974 | In Danger and Dire Distress the Middle of the Road Leads to Death | Film | 5.0 | 42 | |
| 1973 | The Journey to Vienna | Film | 5.2 | 41 | |
| 1973 | Part-Time Work of a Domestic Slave | Film | 5.9 | 41 | |
| 1973 | Part-Time Work of a Domestic Slave | Film | 5.9 | 41 | |
| 1973 | Besitzbürgerin, Jahrgang 1908 | Film | 9.0 | 41 | |
| 1973 | Besitzbürgerin, Jahrgang 1908 | Film | 9.0 | 41 | |
| 1972 | Willi Tobler and the Decline of the 6th Fleet | Film | 5.9 | 40 | |
| 1972 | Willi Tobler and the Decline of the 6th Fleet | Film | 5.9 | 40 | |
| 1971 | The Big Mess | Film | 7.0 | 39 | |
| 1971 | The Big Mess | Film | 7.0 | 39 | |
| 1970 | The Indomitable Leni Peickert | Film | 6.0 | 38 | |
| 1970 | The Indomitable Leni Peickert | Film | 6.0 | 38 | |
| 1970 | Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904) | Film | — | 38 | |
| 1970 | A Doctor From Haberstadt | Film | 7.0 | 38 | |
| 1970 | A Doctor From Haberstadt | Film | 7.0 | 38 | |
| 1970 | Reform Circus | Film | — | 38 | |
| 1968 | Die Erben von Papas Kino | Film | — | 36 | |
| 1968 | Artists Under the Big Top: Perplexed | Film | 5.8 | 36 | |
| 1968 | Artists Under the Big Top: Perplexed | Film | 5.8 | 36 | |
| 1968 | Artists Under the Big Top: Perplexed | Film | 5.8 | 36 | |
| 1968 | E. A. Winterstein, Fire Extinguisher | Film | 6.0 | 36 | |
| 1968 | E. A. Winterstein, Fire Extinguisher | Film | 6.0 | 36 | |
| 1967 | Frau Blackburn, geb. 5. Jan. 1872, wird gefilmt | Film | 7.5 | 35 | |
| 1967 | Frau Blackburn, geb. 5. Jan. 1872, wird gefilmt | Film | 7.5 | 35 | |
| 1967 | Yesterday Girl | Film | 6.5 | 35 | |
| 1967 | Yesterday Girl | Film | 6.5 | 35 | |
| 1967 | Yesterday Girl | Film | 6.5 | 35 | |
| 1967 | Yesterday Girl | Film | 6.5 | 35 | |
| 1966 | News from the 1966 Venice Film Festival | Film | 7.5 | 34 | |
| 1966 | A Poker Game | Film | — | 34 | |
| 1966 | A Poker Game | Film | — | 34 | |
| 1965 | ...Geist und ein wenig Glück | Himself | Film | — | 33 |
| 1965 | Policeman's Lot | Film | 8.7 | 33 | |
| 1965 | Policeman's Lot | Film | 8.7 | 33 | |
| 1964 | Grimme Award | Self | TV | — | 32 |
| 1964 | Portrait d'une mise à l'épreuve | Film | — | 32 | |
| 1963 | Lehrer im Wandel | Film | 7.5 | 31 | |
| 1963 | Lehrer im Wandel | Film | 7.5 | 31 | |
| 1963 | Protocol of a Revolution | Film | — | 31 | |
| 1963 | Protocol of a Revolution | Film | — | 31 | |
| 1961 | Rennen | Film | 7.5 | 29 | |
| 1961 | Brutality in Stone | Film | 7.1 | 29 | |
| 1961 | Brutality in Stone | Film | 7.1 | 29 | |
| 1961 | Brutality in Stone | Film | 7.1 | 29 |