Agenore Incrocci
- Known For
- Writing
- Born
- July 4, 1919 in Brescia, Lombardy, Italy
- Died
- November 15, 2005
- Active Years
- 1947–2002 (56 Years)
- Total Credits
- 184 credits in database
Biography
Agenore Incrocci, best known by his stage name Age, was an Italian screenwriter and director born in Brescia, Lombardy, Italy on July 4, 1919. He is considered one of the fathers of the commedia all'italiana as one of the two members of the writing duo Age & Scarpelli, alongside Furio Scarpelli. Incrocci was born into a family that included several actors, such as his sister Zoe, and spent his youth moving with them to numerous places in Italy. His early work in the cinema world included serving as a dubber for Mario Monicelli's film I ragazzi della Via Paal in 1935, after which he worked in radio and began writing comic scripts while studying law without graduating. His notable credits as a writer include Big Deal on Madonna Street, The Organizer, and The Good, the Bad and the Ugly. He died on November 15, 2005, in Rome, Lazio, Italy.
Career overview
Subject: Agenore Incrocci (career overview focusing on writing).
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Name: Agenore Incrocci.
Stage Name: Age.
Born: July 4, 1919, in Brescia, Lombardy, Italy.
Died: November 15, 2005, in Rome, Lazio, Italy.
Profession: Italian screenwriter, writer, and director.
Significance: Considered one of the fathers of the commedia all'italiana as one of the two members of the duo Age & Scarpelli, together with Furio Scarpelli.
Early work: Dubber for Mario Monicelli's first movie, I ragazzi della Via Paal (1935).
Other early work: Worked for a radio, wrote comic scripts.
Education: Studied law, but without graduating.
Known for (Writing/Credits): Big Deal on Madonna Street (1958), The Organizer (1963), and The Good, the Bad and the Ugly (1966).
Total known credits: 119.
Paragraph 1: Identity and Significance.
Agenore Incrocci, known professionally by the stage name Age, was an Italian screenwriter and director. Born on July 4, 1919, in Brescia, Lombardy, Italy, he is considered one of the fathers of the commedia all'italiana. He achieved this status as one of the two members of the writing duo Age & Scarpelli, working alongside Furio Scarpelli.
Paragraph 2: Early Career and Background.
Incrocci's early professional activities included working as a dubber for Mario Monicelli's first film, I ragazzi della Via Paal, in 1935. He also worked for a radio station and began writing comic scripts during this period. While he studied law, he did not graduate from his studies.
Paragraph 3: Notable Works.
Throughout his career, Incrocci earned 119 known credits. He is recognized for his work on films such as Big Deal on Madonna Street (1958), The Organizer (1963), and The Good, the Bad and the Ugly (1966). He died on November 15, 2005, in Rome, Lazio, Italy.
Drafting check:
"Agenore Incrocci, known professionally by the stage name Age, was an Italian screenwriter and director. Born on July 4, 1919, in Brescia, Lombardy, Italy, he is considered one of the fathers of the commedia all'italiana. He achieved this recognition as one of the two members of the writing duo Age & Scarpelli, working alongside Furio Scarpelli.
Incrocci's early professional activities included working as a dubber for Mario Monicelli's first film, I ragazzi della Via Paal, in 1935. He also worked for a radio station and began writing comic scripts during this time. While he studied law, he did not graduate from his studies.
Throughout his career, Incrocci earned 119 known credits. He is recognized for his work on films such as Big Deal on Madonna Street (1958), The Organizer (1963), and The Good, the Bad and the Ugly (1966). He died on November 15, 2005, in Rome, Lazio, Italy."
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Para 1: 52 words.
Para 2: 48 words.
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Career timeline
Full Filmography
184 titles- Welcome to Collinwood (2002) Original Film Writer
- On the Tiger's Back (2002) Original Film Writer
- The Spring of 2002 - Italy Protests, Italy Stops (2002) Director
- La strana coppia. Incontro con Age e Scarpelli (2001) as Self
- Boom (1999) Screenplay
- Il Conte Max (1991) Screenplay
- The Roman (1988) Writer
- Taste of Life (1988) Screenplay
- Big Deal on Madonna Street 20 Years Later (1985) Story
- Big Deal on Madonna Street 20 Years Later (1985) Screenplay
- Madman at War (1985) Writer
- Good King Dagobert (1984) Writer
- A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit (1983) Screenplay
- Il tassinaro (1983) Story
- Il tassinaro (1983) Screenplay
- Spaghetti House (1982) Screenplay
- Spaghetti House (1982) Story
- Hotel Room (1981) Story
- Hotel Room (1981) Screenplay
- Portrait of a Nude Woman (1981) Screenplay
- The Terrace (1980) as Emilio
- The Terrace (1980) Screenplay
- The Terrace (1980) Story
- Hurricane Rosie (1980) Story
- Hurricane Rosie (1980) Screenplay
- Gros câlin (1979) Writer
- Ecce Bombo (1978) as Professore della commissione d'esame (as Age)
- The New Monsters (1977) Screenplay
- The New Monsters (1977) Story
- Double Murder (1977) Screenplay
- Goodnight, Ladies and Gentlemen (1976) Screenplay
- Goodnight, Ladies and Gentlemen (1976) Story
- Keep It To Yourself! (1976) Screenplay
- Keep It To Yourself! (1976) Story
- Les Rendez-vous du dimanche (1975) as Self
- The Sunday Woman (1975) Screenplay
- Come Home and Meet My Wife (1974) Story
- Come Home and Meet My Wife (1974) Screenplay
- We All Loved Each Other So Much (1974) Screenplay
- We All Loved Each Other So Much (1974) Story
- Teresa the Thief (1973) Screenplay
- We Want the Colonels (1973) Screenplay
- We Want the Colonels (1973) Story
- Without Family (1972) Screenplay
- Without Family (1972) Story
- In the Name of the Italian People (1971) Screenplay
- In the Name of the Italian People (1971) Story
- That's How We Women Are (1971) Screenplay
- A Drama of Jealousy (and other things) (1970) Screenplay
- Brancaleone at the Crusades (1970) Story
- Brancaleone at the Crusades (1970) Screenplay
- Operation Snafu (1970) Screenplay
- Operation Snafu (1970) Story
- Torture Me But Kill Me with Kisses (1968) Screenplay
- Torture Me But Kill Me with Kisses (1968) Story
- Caprice Italian Style (1968) Writer
- Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa? (1968) Screenplay
- The Witches (1967) Story
- The Witches (1967) Screenplay
- The Tiger and the Pussycat (1967) Screenplay
- The Tiger and the Pussycat (1967) Story
- The Good, the Bad and the Ugly (1966) Screenplay
- For Love and Gold (1966) Screenplay
- For Love and Gold (1966) Story
- Me, Me, Me... and the Others (1966) Screenplay
- The Birds, the Bees and the Italians (1966) Screenplay
- Our Husbands (1966) Story
- Our Husbands (1966) Screenplay
- Casanova '70 (1965) Screenplay
- Casanova '70 (1965) Story
- Complexes (1965) Story
- Seduced and Abandoned (1964) Screenplay
- High Infidelity (1964) Screenplay
- High Infidelity (1964) Story
- Summer Frenzy (1964) Screenplay
- The Monsters (1963) Story
- The Monsters (1963) Screenplay
- The Teacher from Vigevano (1963) Screenplay
- The Organizer (1963) Screenplay
- The Organizer (1963) Story
- March on Rome (1962) Story
- March on Rome (1962) Screenplay
- Totò e Peppino divisi a Berlino (1962) Story
- Mafioso (1962) Screenplay
- The Police Commissioner (1962) Story
- The Police Commissioner (1962) Screenplay
- The Best of Enemies (1961) Screenplay
- On the Tiger's Back (1961) Dialogue
- On the Tiger's Back (1961) Story
- On the Tiger's Back (1961) Screenplay
- Everybody Go Home! (1960) Screenplay
- Everybody Go Home! (1960) Dialogue
- Everybody Go Home! (1960) Story
- Love and Larceny (1960) Story
- The Passionate Thief (1960) Screenplay
- The Passionate Thief (1960) Story
- The Great War (1959) Screenplay
- The Great War (1959) Dialogue
- The Great War (1959) Story
- Fiasco in Milan (1959) Screenplay
- Fiasco in Milan (1959) Story
- Policarpo, ufficiale di scrittura (1959) Story
- Policarpo, ufficiale di scrittura (1959) Screenplay
- First Love (1959) Story
- First Love (1959) Screenplay
- Big Deal on Madonna Street (1958) Story
- Big Deal on Madonna Street (1958) Screenplay
- The Law Is the Law (1958) Screenplay
- Totò, Peppino e le fanatiche (1958) Story
- Totò, Peppino e le fanatiche (1958) Screenplay
- March's Child (1958) Screenplay
- Doctor and the Healer (1957) Screenplay
- Doctor and the Healer (1957) Story
- Fathers and Sons (1957) Story
- Fathers and Sons (1957) Screenplay
- It Happened in Rome (1957) Story
- It Happened in Rome (1957) Screenplay
- The Band of Honest Men (1956) Screenplay
- The Band of Honest Men (1956) Story
- A Mink Coat (1956) Screenplay
- The Bigamist (1956) Screenplay
- Peccato di castità (1956) Screenplay
- Time of Vacation (1956) Screenplay
- Roman Tales (1955) Dialogue
- Roman Tales (1955) Screenplay
- The Young Ladies of 04 (1955) Story
- The Young Ladies of 04 (1955) Screenplay
- Bravissimo (1955) Story
- Bravissimo (1955) Screenplay
- Toto and Carolina (1955) Screenplay
- The Anatomy of Love (1954) Story
- House of Ricordi (1954) Screenplay
- House of Ricordi (1954) Story
- Casta diva (1954) Screenplay
- Casta diva (1954) Story
- It Happened in the Park (1953) Screenplay
- Ghost Captain (1953) Screenplay
- Ivan, il figlio del diavolo bianco (1953) Screenplay
- Saluti e baci (1953) Story
- Saluti e baci (1953) Screenplay
- Neopolitans in Milan (1953) Story
- Neopolitans in Milan (1953) Screenplay
- Gli uomini, che mascalzoni! (1953) Screenplay
- L'Incantevole nemica (1953) Story
- Cinema of yesteryear (1953) Story
- Cinema of yesteryear (1953) Screenplay
- Toto and the Women (1952) Screenplay
- Toto and the Women (1952) Story
- I tre corsari (1952) Screenplay
- Il segreto delle tre punte (1952) Screenplay
- Il segreto delle tre punte (1952) Story
- Totó in color (1952) Screenplay
- Ragazze da marito (1952) Story
- Ragazze da marito (1952) Screenplay
- L'eroe sono io (1952) Story
- L'eroe sono io (1952) Screenplay
- Greetings and sons! (1951) Story
- Greetings and sons! (1951) Screenplay
- Seven Hours of Troubles (1951) Screenplay
- Position Wanted (1951) Screenplay
- O.K. Nero (1951) Screenplay
- Toto the Third Man (1951) Screenplay
- Milano miliardaria (1951) Story
- Milano miliardaria (1951) Screenplay
- Rome-Paris-Rome (1951) Screenplay
- Rome-Paris-Rome (1951) Story
- Una bruna indiavolata! (1951) Story
- Ours are coming (1951) Screenplay
- Ours are coming (1951) Story
- Figaro qua... Figaro là (1950) Story
- Figaro qua... Figaro là (1950) Screenplay
- I cadetti di Guascogna (1950) Screenplay
- I cadetti di Guascogna (1950) Story
- 47 Talking Corpses (1950) Screenplay
- Toto the Sheik (1950) Story
- Toto the Sheik (1950) Screenplay
- Totò Looking for Wife (1950) Screenplay
- Totò Looking for Wife (1950) Story
- Tototarzan (1950) Screenplay
- Il vedovo allegro (1950) Screenplay
- Vivere a sbafo (1950) Writer
- Totò Looking for a House (1949) Screenplay
- Two Little Orphans (1947) Story
- Two Little Orphans (1947) Screenplay
Frequently Asked Questions
What movies or TV shows is Agenore Incrocci best known for?
Agenore Incrocci is widely recognized for notable roles and projects including Bamse (1966), Big Deal on Madonna Street 20 Years Later (1985), Big Deal on Madonna Street 20 Years Later (1985), The New Monsters (1977).
When and where was Agenore Incrocci born?
Agenore Incrocci was born on July 4, 1919 in Brescia, Lombardy, Italy. They passed away on November 15, 2005.
How many credits does Agenore Incrocci have?
Agenore Incrocci has accumulated over 184 film and television credits across a career spanning from 1947 to 2002.
What is Agenore Incrocci's background in cinema and television?
Agenore Incrocci, best known by his stage name Age, was an Italian screenwriter and director born in Brescia, Lombardy, Italy on July 4, 1919. He is considered one of the fathers of the commedia all'italiana as one of the two members of the writing duo Age & Scarpelli, alongside Furio Scarpelli. Incrocci was born into ...
Agenore Incrocci by the numbers
Age in their best-rated roles
- Les Rendez-vous du dimanche (1975) as Self — aged about 55
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